Thursday, March 13, 2008
Shakespeare can be exasperating, whether you're scrambling to make sense of Mercutio's Queen Mab speech two hours before your high school final on Romeo and Juliet, sitting through your artsy girlfriend's ambiguously gay friend's op-art-techno-goth production of Timon of Athens, or just trying to discern why so many people are named "Pompey." But he can also teach us a lot. A wise teacher (or possibly a boozed-up derelict) once gave us this advice (possibly before voiding himself on our footwear): Choose a scene, passage, or dialogue, get an idea of the context, and read, reread, and rereread. Disregard the rest of the act or even play and focus on that one excerpt--take notes--and you may be disheartened to realize how much is going on. We, for example, applied it to this passage from Julius Caesar and were impressed with the profusion of subtext--you can practically read Cassius's thoughts.
Open with a neutral question, but phrase it as an invitation to subtly indicate interest | CASSIUS |
Moderately stern response; counter with playfully noncommittal | BRUTUS |
Pause between ”you” and “do” – you want to sound encouraging, not eager | CASSIUS |
He’s talking more – a good sign – possible slight toward | BRUTUS |
Make up a sympathetic, yet open-ended observation to let him think you care – flatter -- exaggerate the extent of your relationship; you’ll appear too nice a guy for him to call bullshit. | CASSIUS |
You got him talking more – blah, blah, blah, conflicting passions – “Good friend; be you one” means you’re in. “Poor Brutus with himself at war”: schmaltzy self-pity – offer a consoling hand, but don’t appear too concerned or they’ll gas about their problems all night. | BRUTUS |
Reaffirm their loving nature while you allude to their situation, then gently sway the conversation toward yourself before they get too wrapped up in their woes. Mention you’ve been having some similarly deep and intriguing thoughts to get their interest, then change the subject again to keep it. Ask a lead-in to start casting doubt. | CASSIUS |
Segue from the physical impossibility of self-reflection to imply that he can’t see what’s inside of him…but you can. | BRUTUS |
Flatter him again by telling him he’s worthy and that the people call out for him. The mention of | CASSIUS |
He’s wary, but he’s still talking. The fact that he responds with a direct question instead of flat-out ending the conversation indicates interest. Reaffirm your character and point out his admitted weaknesses | BRUTUS |
Reaffirm his inability to see inside himself, reaffirm yourself as his "mirror" as well as your good character and honesty before slightly disparaging yourself so he'll start to defend your character. | CASSIUS |
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